![]() Here's a good one: IF you don't have spare video for one track, link it to a video once synch'd and turn off any audio you don't want (it may still play all audio). If you only have one audio source you want to hear, you can select it by Camera (the number corresponds to associated video track number so you should have a video track linked to your audio). Then you need to nest, opt+rightclick audio only, and select enable multi cam. Please remember: You must turn on all audio tracks before nesting, and all video, making sure there are video tracks for every set of audio ("cameras")-for the last part, I just create a blank, small sized video to go with my standalone audio in AME with the same frame rate as at least one other video and add it to a set so there is a camera associated ("Camera" refers to the video track associated). For a lot of us, there isn't that much time anymore. Wait.Isn't that what you wanted to do? They just need to know how much editing! Here's the goal: PLANNING out your EDITS beforehand. They assume you want to actually edit your footage. Kludgy, yes, but the guy that showed this off on line just saved me a ton of work, I thought I'd pay it forward for the new year. Select each audio track and set the multi cam to a single camera that matches which are in your multi cam synch, and you'll be able to manually switch between them when you want by adding effects and keyframes. But if you opt clickholddrag the audio track under the master for as many audio tracks as you have, you can multi cam your audio and video separately. ![]() ![]() Now.If you have a lot of audio tracks, you'll be a little kludgy. ![]() start nested, nothing highlighted, OPT +rightclick (alt for win) on the audio portion only. Once nested, you need to enable multi cam for audio first. They did handle audio like video, but separately. They didn't balk the whole thing up completely. Otherwise, you might be better off with another microphone.Hey. If you’re sure you’ll never need to use it with an external preamp or audio recorder it will probably work just fine for you. So, there’s a word to the wise if you’re considering the Panasonic mike. But, as far as I can tell, the microphone only works when plugged directly into a compatible Panasonic camera like the GH4.įor me, this means I have to use my backup microphone, a lower quality off-brand unit, when I want to use the juicedLink preamp for audio bracketing. When connected directly to the camera it offers some nice features like software selectable response patterns (shotgun, super shotgun, stereo, or lens angle tracking). The DMW-MS2 is designed to be plugged directly into the camera. What I didn’t realize when I ordered the preamp is that my Panasonic mike won’t work with it (or any other analog preamp). In my particular case my solution presented another problem beyond the increased workflow complexity. It does create more work in post but everything is a compromise, right? Problems with the Panasonic DMW-MS2 microphone I just choose whichever channel is better, copy it, and paste it into the other channel. I’ve tried this a couple of times and it’s worked out well so far. This shows what the waveform looks like when capturing a mono signal at the two gain levels. Left channel on top, right channel below was recorded automatically at -16db
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